Search results for " Polyphony"
showing 5 items of 5 documents
Sarraute's plays : poplyphony and enunciation
2014
The corpus is formed of six plays of Nathalie Sarraute; it hides a duplication of enunciation types in the characters’ dialogue. This duplication is latent due to personal pronouns and verb tenses’ neutralization. The transition from an enunciation layer to another is not marked at all or not traditionally marked. Therefore, deciphering will be more complicated to any reader, listener or spectator. These works of art are also highly polyphonic in terms of enunciation as in semantics, as several voices are intertwined and as the characters resort to authorities of point of view. Thus, readers, listeners and spectators should identify enunciation sources and “other” authorities of point of vi…
Quattro diagnosi sul florario di Francesco Buti per le villanelle di Girolamo Kapsperger
2009
Il messaggio etico dei testi di Francesco Buti per i "Fiori" di Girolamo Kapsperger (villanelle a 1,2,3,4 voci e Bc. del 1632) e la ricercata semplicità della musica giustificano la scelta anacronistica e stilisticamente inappropriata della titolazione di genere scelta da Kapsperger o dall’editore Masotti. Il termine villanella allude in questo caso a un giardino in cui i fiori formano un mazzetto di allegorie per il buon cristiano. Più specificamente i soggetti riguardano i miti classici collegati ai vegetali, ai quali si ispira l’autore per riprendere le leggende sull’origine dal sangue o dal latte degli dei, da cui nacquero per metamorfosi il gelsomino, la viola, la rosa, l’amaranto, l’a…
Per una voce sola. Intertestualità e intermedialità nella scrittura di Michele Mar
2022
The aim of this paper is to compare three recent republications of Michele Mari’s works, Di bestia in bestia (1989 Longanesi and 2013 Einaudi), Asterusher. Autobiografia per feticci (2015 and 2019 Corraini edizioni) and Leggenda privata (2017 Einaudi),which all show consistent changes. The intention is precisely to point out the reciprocal relationships between these works and the different ways they have been transformed, both in the cases of literary writing alone and in those involving phototextual forms, in order to trace a possible unity of intent. In Di bestia in bestia Mari chooses to thin out the novel ; in the second case to increase the number of pages of the phototext, and in the…
Prese di parola. Sulla nozione di voce in Oswald Ducrot
2021
The paper aims at providing an overview of the main meanings that the term “voice” unfolds in the framework of the Ducrotian Polyphonic Linguistics.
Patente de corso y La zona fantasma: La identidad del locutor
2014
This study deals with the main features of locutors in La zona fantasma (Marías) and Patente de corso (Pérez Reverte). After a brief introduction on argumentative discourse and the opinion columns, the identity of the locutor/enunciator is analysed in detail. More precisely, the article will demonstrate how mode, polyphony and heterogeneity of discursive sequences support the persuasive objective pursued by this kind of discourse. En este trabajo proponemos una reflexión sobre las características del locutor de La zona fantasma (Marías) y Patente de corso (Pérez Reverte). Después de una breve introducción sobre el discurso argumentativo y las columnas de autor, se analizará la identidad de …